Born in 1954, and raised on southern California ranches, John DeMott’s comfortable painting people of the West in magnificent Western settings. He’s experienced the demanding work required in ranching and has developed an enduring appreciation for Western heritage.
Kim Ragsdale focuses on faces – character faces with wrinkles, broken teeth, no teeth and older faces. Her first drawings were of dogs, horses and cows because they’re so important in western ranch life. They weren’t child-like drawings, but were so accurate anatomically as to be mistaken for photographs.
Working on saddles wasn’t a choice for Bill Maloy early in life. His grandparents first started running a pack string and horse concessions in Sequoia National Park in the 1920s. Eventually, his father joined the business and, as soon as he was old enough, Bill was a regular employee.
Ten years ago, Jason Rich took a chance on an art career. That gamble paid off, and today the Utah artist’s work has earned the respect of collectors, galleries and working cowboys.
Ranchers have survived on red meat for centuries. Make a hearty beef dish for dinner tonight with these recipes.
Horsewright Clothing and Tack Company owners Dave and Nichole Ferry design working cowboy gear while ranching in California’s Tehachapi Mountains. Their traditional tack has inspired a movement to recognize the men and women serving in the armed forces.
Braiding in the Bill Dorrance tradition, Montana horseman and artisan Randy Rieman discusses the beauty and functionality of rawhide gear, and tells you what to look for in quality craftsmanship. With tunes from Benny Goodman, Don Edwards and the Quebe Sisters Band set on rotation in the CD player and a cup of tea in hand, Randy Rieman takes to the modest garage of his Dillon, Montana, ranch.
Legendary equine artist Orren Mixer can’t remember names, dates or places worth a dime. But when it comes to horses, the 87-year-old has a photographic memory. For instance, he doesn’t recall the exact year he was commissioned to paint his first equine portrait, other than it was 1949 or 1950, but he does know that he painted racehorses Tom’s Lady Gray and Gray Lady, both owned by James Reese of Temple, Oklahoma.