By keeping cowboys in mind, Billy Klapper became a legendary bit- and spur maker.
Western artist Bill Owen left behind more than 40 years worth of paintings that preserve contemporary cowboy life in…
When it comes to a cowboy’s topper, the moniker “Mad Hatter” refers to more than an eccentric character in…
Never use anything on silver other than bona fide silver cleaners. “You wouldn’t use silver cleaner on your car’s engine, would you?” says Dale. “So don’t use anything other than silver cleaner to shine your silver.”
Joe Netherwood grew up in Philadelphia, Pennsylvania, in the 1950s, when youngsters played cowboys and Indians and mimicked their heroes: Gene Autry and Roy Rogers. These cowboys’ western films set the stage and instilled in Netherwood a love for the West that still remains.
Born in 1954, and raised on southern California ranches, John DeMott’s comfortable painting people of the West in magnificent Western settings. He’s experienced the demanding work required in ranching and has developed an enduring appreciation for Western heritage.
Kim Ragsdale focuses on faces – character faces with wrinkles, broken teeth, no teeth and older faces. Her first drawings were of dogs, horses and cows because they’re so important in western ranch life. They weren’t child-like drawings, but were so accurate anatomically as to be mistaken for photographs.
Working on saddles wasn’t a choice for Bill Maloy early in life. His grandparents first started running a pack string and horse concessions in Sequoia National Park in the 1920s. Eventually, his father joined the business and, as soon as he was old enough, Bill was a regular employee.