Most parents would be horrified if their son threw knives at his sisters. But, having a knife-thrower in the family is par for the course with Canada’s Bishop clan – father Tom, mother Jan, son Tom Jr., and daughters Sally and Sarah – a hard-riding group for whom risk-taking is a family enterprise.

Russian-born artist Andre Kohn identifies similarities between the life of a Native American, a true cowboy and people in his homeland. The common element, he says, is their love for land and their appreciation for nature.

Phil Stadtler might be in his mid-80s, but at 6 feet, 2 inches, he still looks like he could buck a few bales of alfalfa with little trouble. Each of his hands is as broad as an iron skillet. One eye is sky-blue, the other blind, cloudy from a long-ago ranching accident.

Charles Dayton inherited a strong connection to the American West. His ancestors, part of the Mormon migration, colonized high-mountain valleys in Idaho, Utah and Wyoming. His great-great-grandfather was a missionary to Chief Washakie and the Eastern Shoshone.

Kim Ragsdale focuses on faces – character faces with wrinkles, broken teeth, no teeth and older faces. Her first drawings were of dogs, horses and cows because they’re so important in western ranch life. They weren’t child-like drawings, but were so accurate anatomically as to be mistaken for photographs.

Joe Netherwood grew up in Philadelphia, Pennsylvania, in the 1950s, when youngsters played cowboys and Indians and mimicked their heroes: Gene Autry and Roy Rogers. These cowboys’ western films set the stage and instilled in Netherwood a love for the West that still remains.